Expert card technique pdf free download

Taco Cat Goat Cheese Pizza! Not just random, silly words, but the words you must say throughout the game. This hilar new game will trick your mind and have you racing to win. So cute! You will need two or more players. Cut out all the cards on these pages or download and print them out from storytimemagazine.

Shuffle the cards and lay them face-down in a 5 x 5 square. Players take turns flipping two cards over. If the. Cut out all 10 cards. Shuffle the cards, and neatly place them face down. Flip 2 cards to try and find a matching pair coloured hint: matching background cards. If they do not match, fl. Share your cards, creations and craft room snaps with us. Some noteworthy businesses got their start in California garages, including Hewlett-Packard, Apple, and Mattel.

Add to that list the board game company Cadaco, which began in a rented San Leandro, California, garage. In , Donald Mazer recruited t. He pulls back the curtain on his distaste for magic, his strictly working relationship with Teller, and his love of being fooled.

Returns to your deck when shuffled into their hand. Adds 3 defence, then strips all enemy defences equivalent to your current defence total. Entertainment included roaming cigarette girls handing out vintage candy to guests. Champagne and gold dominated, while hits of velvety red echoed the cabaretmeets-Havana theme. Guests found their. Name: Apollo Jackson. Age: Occupation: Professional Magician.

That year,. The trickiest aspect was crossing the roads; you had to set off into a melee of cars, bicycles, scoo. The many new processes revealed herein for the first time have been thoroughly tested by practical magicians and will be found indispensable by all who aspire to the title of finished performers. Many methods have been devised but all of them entail a certain preliminary movement for the purpose of getting ready, or set, for the sleight, and this movement must be covered by misdirection.

The ideal double lift is the simple pushing off of two cards, as one, with the left thumb in exactly the same manner as in dealing, and such a method is given elsewhere.

The following method, however, is the nearest approach to such perfection which can be had by purely mechanical means. A preliminary get-ready movement is still necessary but the gesture covering it is so casual and natural that the keenest eye cannot detect it and the practice necessary to master the sleight is negligible in comparison with its value. This method, hitherto unknown to the fraternity, represents the very finest handling, enabling the operator to lift two cards as one in such a wholly natural manner that even the most skeptical of spectators finds nothing suspicious in the procedure.

A new and very important technique is also being introduced in this volume for the first time for the triple and quadruple lifts, which have previously been believed to be impracticable and dangerous of execution, chimeras which would never become realities. As with the old methods of performing the double lift, the two elements which have prevented deceptive use of the triple and quadruple lifts have been the lack of a certain and easy method of controlling the cards during the push-off of the left thumb, holding the cards without any tell-tale overlap of their edges, and a certain and easy method of inserting the left little finger under the cards prior to the push-off: the old method of picking up cards at the inner end with the right thumb, dangerous with the double lift, is wholly impracticable with the triple and quadruple lifts.

Upon examination of these problems it will be found that the method of preparing for the lift, and of making the lift, which is given here, when applied to the triple and quadruple lift make these sleights entirely practical and deceptive.

These methods are given hereunder:. Hold the pack in the left hand as for dealing, the thumb lying flat against the left side, the four fingers at the right side, the tip of the second finger at the middle of the side.

The first, third and fourth are held slightly away from the pack. Press the second finger to the left against the right side of the pack, beveling it to the left. Press the left inner corner of the deck firmly against the base of the thumb, Fig. Bring the right hand over the pack, place the fingers at the outer end, the thumb at the inner end, and lightly square the cards.

Press inwards lightly on the ends of the top cards with the thumb and second finger, causing the top cards to bend upwards breadthwise at the middle, Fig. Allow cards to escape one at a time from under the tip of the left second finger as they buckle upwards, and with this finger tip hold a break under the desired two, three or four cards which have passed, the number of cards being governed by whether a double, triple or quadruple lift is being made.

The pack being beveled to the left aids greatly in enabling the second finger tip to allow only one card at a time to slip past it as the right finger tips apply the buckling pressure at the ends. Drop the ball of the left thumb upon the top of the outer half of the deck and raise the right thumb at the inner end. This action levers up the inner end of the cards, the second finger tip acting as a fulcrum.

Insert the left little finger tip in the break thus transferred to the inner right corner. In this manner you have quickly and indetectibly prepared for the lift, whether a double, triple or quadruple turnover. Hold the pack in the left hand, the little finger, which holds a break of two, three or four cards, being even with the inner end.

Press the inner left corner of the pack firmly into the flesh below the base of the thumb by an inward pressure of the left little finger; when the thumb is moved, the flesh at the base of the thumb must swing freely over the top of the pack, Fig. Bend the thumb at the joint inwards and place the side of its tip at the extreme edge of the left outer corner, resting upon the top surface with sufficient pressure to force a tiny fold of flesh over the side of the second card.

This flesh fold later serves to draw with the top card the cards to be secretly lifted with it. Move the thumb to the right and inward, describing a small segment of an arc, taking with it the cards to be lifted as one card, Fig. Note that the finger tips are above the top of the pack; as the thumb moves the cards to the right in an inward arcing action these fingers tip to the right to allow the cards to pass over them, the remainder of the pack being held firmly in place by the inward pressure of the left little finger tip.

The inner left corner of the cards pivots under the base of the thumb, the inward arcing pressure of the thumb tip forcing this corner into the flesh of the palm, thus holding the cards in perfect register.. Turn the right hand palm upwards and seize the cards at the outer right corner between the right thumb, above, and the first and second fingers below, Fig. Turn them face upwards and place them squarely on the deck. Slip the tip of the left little finger under the cards at the inner right corner during the last action as the cards are placed face upwards on the deck, thus preparing to turn the cards face downwards without any further get-ready.

Square the cards at the ends with the right fingers and thumb. Turn the cards face downwards in exactly the same manner. You have apparently shown the spectators the top card of the pack; actually you showed the second, third or fourth card.

With only two cards to control, the double lift is made with the hands in almost any position, before the body or at the left side, with the pack in regular dealing position or with the outer end pointing obliquely downwards. The cards being turned over are grasped either as given in the previous instructions or may instead be grasped at the outer right corner with the thumb below and the fingers above, the turnover then being similar to the deal in stud poker.

The hands may be held motionless or kept slightly in motion to the left as the turnover is made. All these are matters for the individual performer to decide for himself ; the control of the two cards is so complete that variations in handling are matters of personal choice. The action in all instances, however, should be smooth and continuous, approximating a natural turnover; there is no real reason why the performer should watch the cards and this he should refrain from doing as this indifference towards the turnover gives to it the naturalness which is absolutely vital to successful conjuring.

A glaring fault of many card conjurers is the overuse of the double lift. If one has to show that a chosen card is not at the top or bottom of the deck, for instance, it can be sent second from the bottom by the overhand shuffle and the bottom card shown, also several of the top cards.

A repetition of the shuffle will bring the card back to the top naturally and unsuspiciously. The double lift should be kept in reserve for tricks in which it is indispensable. Nor should the double lift be a plaything with which to show your skill with cards; it cannot be emphasized too strongly that it is a secret subterfuge which should be used only as a legitimate sleight with which to obtain results not otherwise possible.

The conjurer who makes a series of lifts—six or eight in a row—and believes that the average spectator will not reason out what is being done grossly underrates the intelligence of laymen. As will have been seen, the method of making the triple and quadruple lift is exactly the same as that used for the double lift. However, since the extra cards make the edges thicker and thus make the sleight more vulnerable, the triple and quadruple lifts cannot be made with the same disregard for sight angles which characterizes the double lift.

Exert a greater pressure downwards at the outer left corner with the left thumb in pushing off the cards than is used in the double lift. Hold the pack squarely facing the spectators, to the left or directly in front of the body a little below the waist, as though to permit a clear view of the operation.

Turn the cards face upwards, or downwards, with the right hand without hesitation in the least possible time: in other words, naturally. Move the outer end of the pack obliquely downwards as the right hand turns the cards, enabling them to be turned in less than the half-revolution which otherwise would be required.

Move both hands six inches to the left during the turnover, makirg it difficult for the spectators to focus their gaze upon the edges of the cards. This movement of the hands is a leisurely, normal action. If these conditions are observed, the conjurer will find that an entirely new vista of card conjuring lies before him, making possible some of the most effective of card tricks. The orthodox manner of turning the two cards face up in the double lift by seizing the lower right corners with the right hand, turning them face up on the pack with the lower ends protruding and then turning them face down in the same manner, has become hackneyed.

All who dabble in card tricks and, unfortunately, many who do not, know at once what is taking place the moment this movement is made. Adepts have found it advisable to change the handling of the two cards. The following method of displaying them as one card will be found to be not only natural but completely deceptive to lay audiences and will puzzle well informed magicians.

With the right hand, palm upwards, clip the two cards between the forefinger at the face of the cards and the second finger on the back at that part of the card where the innermost pip of a ten spot is printed.

Let the cards slide between the two fingers to the outermost joints. Press the extreme tip of the right thumb against the right sides of the two cards just above the two fingers which grip them, and the side of the third finger tip against the bottom, the little finger remaining free.

Buckle the cards slightly downwards to ensure that the two cards will remain in perfect alignment, Fig. Show the face of the second card by turning the wrist inwards, Fig. The action is the same as that used by many card players when turning the top card of a pack face upwards. It is advisable to use this method of handling when you turn a single card at any time in the course of a trick.

In spite of the fact that the handling-of the cards in this method may be considered rather fanciful, it is very useful as a variation of the usual method. In spite of the twisting and turning of the cards there is no danger that they will come apart. Push off the two cards with the left thumb as explained in the first method and take them between the tips of the right thumb and second finger at the right hand corners. Move the left hand and the pack a little to the right and with the tip of the left thumb press on the left sides of the two cards making them describe a semi-revolution with the right thumb and finger tips as pivots, bringing them face upwards under the right palm.

The right hand now has its back outwards, the thumb being upwards and the cards facing outwards. Grip the sides of the two cards near the lower ends between the first joints of the right first and fourth fingers and remove the thumb. Twist the two cards upwards until the right thumb can rest against the right sides, opposite the first finger, and release the little finger.

Move the hands to the right bringing the backs of the cards outwards and at the same time let the right second finger take the place of the forefinger, Fig. Press the forefinger on the middle of the back of the two cards, release the grip of the second finger, turn the hand to the right and grip the cards, face outwards, between the tips of the thumb and forefinger with a snap, Fig.

You have shown both the back and the front of the supposed single card. Replace the cards on the top of the pack. The secret move to be described is one for which the cleverest card men in America have sought—a move which opens up an entirely new field of expert card work. It is the pushing off of two cards, as one, with the left thumb in exactly the same manner as in dealing.

Heretofore it has been believed that such a sleight called for an inexhaustible patience in practice and an uncanny skill. Actually the move is very easy, although we cannot pretend to explain why the method proves to be workable.

First of all it must be explained that only a description of the action involved can be given, along with an accurate description of the position of the fingers, and of the secret move itself.

Place the pack in the left hand, the inner left corner pressing into the flesh under the heel of the thumb, so that the thumb can move freely above the deck. Place the left little finger at the opposite side, barely above the corner, with the third finger next above it, the second finger a little above the third, and the forefinger above all.

Since this last finger takes no part in the sleight, hold it slightly off the side of the pack. Place the tips of the left fingers flush with the top card of the pack, and hold the pack firmly by pressure between the left little finger and the flesh of the palm under the heel of the thumb. To obtain the correct position, use a pack with a border, place the left thumb exactly at the outer left corner of the inner design of the top card. Hold the thumb nail at right angles to the card so that the flesh at the side of the thumb or, more properly, the flesh just under the cuticle of the nail touches the top card.

To take this position, the thumb must be bent at the first joint. With the left thumb press the left outer corner of the pack downwards; at the same moment, press the inner right corner downwards with the tip of the left little finger, slipping it slightly onto the top of the pack.

Thus the diagonally opposite corners of the pack are bent downwards at the same moment, Fig. Without altering the position of the left thumb move it, still bent, lightly to the right. For some reason which the authors do not pretend to understand, the second card will move with the top card, remaining so perfectly in alignment that the dealer himself will often be deceived.

The positions outlined above are for a man with a medium-sized hand; however, each reader will have to experiment to determine exactly the placement of the left thumb in order to secure the desired result.

It should be emphasized that the left thumb, in pushing the two cards off as one, does not bear down on the top card. No conscious effort must be made to take the second card with the top card; pushing the latter lightly to the right will automatically carry the second card with it.

THE SECOND DEAL is generally conceded to be the most difficult of all card sleights to master, a statement the ambiguity of which has clouded the fact that it is not the action of dealing second which is difficult, but the method of gripping the pack with the left hand.

Because of this misunderstanding many card conjurers have spent endless profitless hours toiling to perfect the action of the sleight, heedless of the old axiom that, while practice may make perfect, no amount of improper practice can be of value. Once, however, the proper grip is taken, and the underlying principles of the deal are understood, dealing seconds can be mastered with a minimum of effort.

The literature of magic is singularly devoid of any really comprehensive instruction in the art of dealing second. Erdnase has given a detailed description of the sleight, but the methods, and more particularly the grips, which he gives have long since been discarded by the front rank card men.

Walter Irving Scott in his manuscript gives considered and detailed instructions for the strike method, but unfortunately this booklet is not available to the mass of conjurers, both because of its scarcity and its cost. Furthermore, the strike method he gives cannot compare, for general utility, with the method employing the two card push-off. This latter method has been treated by Laurie Ireland in his excellent booklet, Lessons in Dishonesty , which the reader will do well to study, if only to compare the method with that to be given here and to decide for himself which of the two is best suited to his particular needs.

The sources mentioned complete the list of worthwhile instructions in second dealing. The reason for this remarkable reticence on the part of authors of conjuring textbooks is not far to seek; very few of the authorities on card conjuring have an intimate knowledge of the deal.

Those gamblers who have perfected the sleight have a natural and understandable reluctance to reveal their secrets, even if they could describe the action clearly; in most instances, gamblers have acquired the feel of the deal and can perform it skilfully but are totally oblivious to the principles, and even the grip, which they utilize.

Often, when asked to describe their grip, they are at a complete loss for words and summarize by saying, Just place the deck in your left hand and deal. Excellent advice, but difficult to follow. Amongst those experts who handle cards purely for entertainment purposes, there are hardly more than a dozen who can deal absolutely perfect seconds and these have not described their methods, usually because an incentive was lacking.

Because of this cloud of mystery which has surrounded the second deal, the action will be described here in the fullest detail, even at the risk of prolixity. At best a difficult sleight to explain, it is hoped that this treatment will make clear the principles of the two best methods. In this method the first and second cards are pushed off the deck as one card by the left thumb.

The right hand draws off the second card as the left thumb draws back the first card onto the deck. This method has the great virtue of providing a deal in which the cards are dealt in a manner approximating the standard deal used by most card players. The demands for perfect timing are less exacting than in the strike method but, as in that method, the grip of the left hand must be absolutely correct.

The procedure to be described here for the first time is a further improvement over other similar deals in that the grip has been simplified, the four right fingers being at the side of the pack as in a regular deal with the top card always under absolute control. First of all, hold your left hand out flat before you with the fingers pressed tightly one against the other. Bend the four fingers, as a unit, at the innermost joints, placing them at right angles to the palm of the hand.

Note that the point of the right angle thus formed is marked by the crease from which both the so-called life line and head line stem. When a reference to the palm is made hereafter it will signify that portion of the palm above the head line crease—that portion of the palm which forms the upright arc of the right angle.

To secure the correct grip of the pack, proceed as follows:. With the left hand held in the above position, place the deck in it, its left side pressing flat against the palm of the hand above the head line crease.

The top of the pack thus falls just below the base of the thumb; the inner left corner is pressed into the palm an inch from its inner side, and the outer end extends half an inch beyond the side of the first finger, the end of the pack and the length of the palm being parallel. The left fingers, pressed closely together, are grouped at the right side of the pack, their tips flush with the top, the little finger being at the inner right corner.

Grip the pack by an inward pressure of the joints of the left third and fourth fingers. If the position is properly taken, the left first and second fingers can be removed completely and the pack will still be held firmly by the third and fourth fingers pressing its left side flat against the palm of the hand. The fingers now arc slightly under the top of the pack, Fig. Place the right thumb and second finger at the right ends of the cards and bevel them approximately a quarter of an inch inwards, Fig.

This action is of great importance since it materially aids in the action of pushing off two cards as one. Place the left thumb tip upon the edge of the top card at the middle of the end. To do this it will be necessary to bend the top joint so that the point of contact with the card is the side of the thumb tip, as marked A in Fig. Move the left thumb three-quarters of an inch to the right in an arc which is a segment of an imaginary circle, the center of which would be a point midway between the tip of the thumb and the inner left corner of the top card, which is pressed into the flesh of the palm, Fig.

Again, it is important that the left thumb should not push the card straight off the pack to the tight but should describe the small inward arc as stated; the nature of this action will be more fully explained in item 2 of the actual deal.

The reason for this arcing push-off is that the card pivots at its inner left corner against the flesh of the palm and is at all times under the control of the left thumb, whether it is being pushed off the pack or drawn back onto it.

With the grip taken as described in the preceding section, the tip of the left thumb, at its side, rests upon the extreme edge of the middle of the top card as in Fig. To make the deal:. Press downwards very lightly with the thumb tip forcing a minute segment of flesh far enough over the edge of the top card to engage the edge of the second card. This is not nearly as difficult as it may seem and a minimum of experiment will teach the amount of downward pressure required.

Move the thumb to the right in an arc, taking with it the top and second cards, the latter being drawn along by the tiny fold of flesh. Because of the pivoting action at the inner left corner, as has been explained, the two cards swing outwards towards the right as one card and remain always in perfect register. They should not be pushed off the pack more than three-quarters of an inch, Fig.

It should be noted particularly that, because of the bent position of the first joint of the left thumb, the pressure on the edges of the two cards is an inward pressure which forces their inner left corners-into the flesh of the palm. In other words, the pressure is exerted from beyond the end of the pack and inwards towards the right; it must not—and this cannot be stressed too strongly—be merely a pressure to the right since this would give no control of the cards.

With the cards thus pushed off the deck, place the tip of the right second finger upon the face of the second card. By a slight upward pressure to the right draw this card away to the right at the same moment that the left. Drop the right thumb upon the second card the instant the first card is out of the way and deal it as the top card, Fig. The entire action has been described in the fullest detail but it must be remembered that one hand differs from another in the width and length of the palm, in the length of the thumb and fingers and, because of this disparity in individual anatomy, these instructions should be studied more for the basic principles than for exact measurements.

In this method of dealing, in which the cards are dealt face upwards, the cards are pushed off the pack exactly as in the preceding method. However, the right hand approaches to take the second card with its palm towards the body. The first and second fingers slide over the two projecting cards, the upper side of the second finger pressing against the face of the lower card at the index at the right outer corner.

At the same moment the left thumb draws the top card back upon the pack, the second card being drawn to the right, face down, between the right first and second fingers, Fig.

The right thumb presses upwards on the face of the card and turns it face upwards as it is dropped on the table, Fig. This method makes an excellent subterfuge for dealing extra cards secretly on a table pile.

For each extra card required a two-card push-off is made and these two cards are dealt as one in the usual manner. For small numbers, when special care must be taken, a good plan is this: Assuming that a four ace trick is being performed and that the operator wishes to deal, apparently, three cards on the table, whereas four cards are dealt in reality Push off the next two cards as one, grasp both at the outer right corner and thrust the two, as one, under the tabled cards.

Finally, it is earnestly suggested that the student bear these main principles in mind at all times:. The principle of the right angle grip, with the left side of the pack resting against the palm above the angle thus formed.

The grasping and the control of the whole pack by pressure of the third and fourth fingers at the inner right side, this pressure holding the left side flat against the entire width of the palm.

This should be marked at once upon the palm and the fingers and all phases of the grip noted. It cannot be too strongly stressed that the difficulty in second dealing does not come from the action but from the placing of the pack in the hand. Two hours spent in acquiring the correct grip will prove more valuable than a hundred hours of aimless dealing of the cards. In this method the thumb pushes the top card to the right as the right thumb strikes the surface of the second card, drawing it off to the right as the left thumb draws the top card back squarely onto the pack.

The great defect in this method is that very few card players deal cards in this fashion; the action is abnormal and hence open to suspicion, no matter how excellent the technique. Nevertheless, the student will not be satisfied until he has tried his hand at this method and it must be confessed that there are excellent uses for it.

Grip the pack exactly as for the push-off deal, but extend the left thumb diagonally across the pack so that its tip rests as shown in Fig. Move the left thumb a quarter of an inch to the right, taking the top card with it. This card slides over the tips of the left fingers which are flush with the top of the deck. The pressure of the thumb downwards on the top card is light, being just sufficient to move the card. As in the previous deal the inner left corner pivots on the palm.

Bring the right thumb over the pack at the outer end, its ball paralleling the surface of the card, the second, third and fourth fingers being curled tightly into the palm.

Strike lightly and diagonally outwards with the thumb upon the exposed surface of the second card, drawing it away and dealing it, Fig. As the right thumb deals the second card, move the left thumb back to the left and draw the top card squarely back on the pack. Essentially, this second deal is very simple, yet it calls for the finest coordination.

The timing is this: The right hand moves over the deck, the length of the thumb being parallel to the end of the deck, the ball of the thumb being in the same plane as the top surface of the pack and its tip being brought approximately to a point three-quarters of an inch from the left corner. It thus masks the outer end of the deck for most of its length. This is in the smallest degree a dipping movement, that is to say, as it moves to the right, the thumb drops a fraction of an inch bringing its ball upon the exposed sur-face of the second card and continues its movement to the right drawing this second card with it, the right forefinger moving up, pincer-like, to pinch it from below against the thumb.

Offering the most foolproof methods available, Jean Hugard and Fredrick Braue explain such basic manipulations as the palm, the shuffle, the lift, the side slip, the pass, the glimpse, the jog, and the reverse. They detail various false deals, crimps, and changes and the more advanced execution needed for forces, fans, and the use of the prearranged deck. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. If you continue browsing the site, you agree to the use of cookies on this website.

See our User Agreement and Privacy Policy. See our Privacy Policy and User Agreement for details. Published on Mar 12,. Expert Card Technique by Jean Hugard If you have ever tried to do a card trick and failed, you know what it is to be embarrassed. Also presented is a wide variety of tricks, including discoveries, self-working tricks, one-handed tricks, stranger cards, and such individually famous tricks as the four aces, the rising cards, and the Zingone spread.

In addition, the authors include a complete compendium of shakedown sleights — to warn the card player and aid the entertainer — and a performers guide to misdirection and patter. Many of the methods explained were revealed here for the first time, while many previously known tricks are presented in improved versions.

In every case the aim is simplicity of technique for the purpose of mystifying an audience, not technique for the sake of technique. An unsurpassed collection of methods and manipulations, this classic work will help any aspiring magician to achieve expert card technique. File Name: expert card technique pdf download. We offer special Real Money Tournaments that cost nothing to join yet they pay. See a Problem? You had me at meow book. Sign up to brits crossword.

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